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Alice Day
 

Alice DayAlice has worked with Pulitzer Prize, National Book Critics Circle, and the PEN/Faulkner award winners, as well as first-time novelists. She does book evaluations, developmental content editing, and copy editing

Alice Day has been an editor since 1988. After earning a graduate degree in creative writing at Brown University, she has worked at the book publishers Henry Holt and Company and Carroll & Graf Publishers. Writer Don Smith, whose awards include 19 regional Emmys, said of Alice Day, "She's the kind of editor every writer should be so lucky to have." Alice Day is an award-winning writer with four collections of poetry and a novel that have been published by nationally-recognized publishing houses. Kathleen Wakefield, whose novella won the 2008 Cleveland State University novella contest, said "that [Alice] has been an editor at a major New York publishing house gives her insight into that complicated world; that she is a poet, I believe, gives her the sensitivity to find the beauty of a writer's individual work." Alice Day has the skill and experience to focus on a writer's vision and help the writer realize it. She's a hands-on editor who's not afraid to cut words and offer insights. And she has a poet's sensitivity to language.

Alice Day's specialty is fiction editing. She has worked with numerous award-winning authors (authors who have won the Pulitzer Prize, National Book Critics Circle Award, and the PEN/Faulkner Award, as well as first-time novelists) She does detailed manuscript evaluations, as well as developmental/substantive editing. She is also a skilled copy editor.

"I chose well. It was fun to see one's work through someone else's experienced eyes. I particularly appreciated your thoughts and reactions to the different characters - it gave me much needed insight into the relative worth of each player and where I need to put my efforts. Many thanks also for giving me the idea for the subplots that could help cement the story and really for all of your detailed, helpful comments. It was a thoughtful and kind analysis!" (on file with coordinator)

Specialties

Her fiction specialties include short stories, novellas, literary fiction, historical fiction, commercial fiction, women's fiction, chick lit, thrillers, mysteries, and detective/crime novels.

Alice's latest book was published by Copper Canyon Press in 2011. Reviews:

Publisher's Weekly
"The latest [from Day] surveys an imagined underworld, but seems more at home in the spiritual heights. Long lines, vaunting proclamations, and confident invocations of Freud, St. Augustine, pagan gods, and digital codes find the poet's spirit, and the spirits of lovers, fathers, enemies, friends, in flight from and yet tethered to real bodies on this earth. 'When the assumption of a system is altered,' [Day] explains, 'the space it describes/ Changes in unforeseen ways,' and her decidedly intuitive explorations show us how much she can change. The middle third of the book, entitled 'In the Computer,' experiments with up-to-date language for the transmigration of souls: 'She was sent an attachment, only 30KB, couldn't open the file or/ Leave [love believe] herself.' Her supernatural aspirations ('More than one Martine simulcast'), along with her gradually accretive methods and her early invocations of Sappho and Freud, should remind more than a few readers of H.D.; the foremother of lyric poetry sponsors [Day's] melancholy victory: 'The daughter of God/ Chariot pulled by sparrows aquiver across high, steep air/ And none alive remembers you, gray among ghosts.' This poet offers not smoothly finished, closed-off verbal objects but 'Raw exposures, too contrasted to reckon/ Like sailing through a star.'

Arts and Humanities
When one thinks of ghosts, one imagines beings that are both literally and figuratively unresolved. Like a flickering fluorescent bulb, a ghost occupies the liminal space between life and death, presumably because of an unfulfilled need for closure. [Day], National Poetry Series award [winner], carries this theme forward in her current collection with a lyricism more germane to the living than to the recently departed. Her work is unfailingly musical even while sacrificing none of the concrete details of the quotidian. When she reminds the reader that 'each line in a poem can’t avoid acting as a series of questions,' she shows a concern for the worldly that transcends the merely personal focus of more mainstream verse.  Not satisfied with making us phantom observers, [Day] situates us directly in the center of her poems while emphasizing that the best questions (and the best lines of poetry) remain open and, like the ghosts themselves, unresolved.


PROFESSIONAL EMPLOYMENT

May 2001-present

Freelance Manuscript Editor and Writer:

Responsibilities include editing full-length manuscripts for authors and/or their agents, and/or publishing houses. Both fiction and nonfiction.

1988-present

Faculty: The Milton Avery Graduate School of the Arts, Rutgers University, The Writer's Voice, Hunter College, New York University, Hofstra University, Brown University:

Teach courses such as poetry and fiction workshops, American literature, expository writing.

October 2000-April 2001

Managing Editor and Writer, Cambridge Technology Partners, UX Design:

Edited and wrote online text for a variety of sites including GMAC real estate and Fleet Capital Leasing. Managed content developers. Responsible for maintaining editorial standards, including proofreading and copyediting.

August 2000-Sept.

Content Developer, Angryman.com:

Developed content for Internet entertainment and polling site. Developed, researched, and wrote essays and opinion polls for the following categories: the arts, politics, current events, jobs and money, spirituality, education, health, and lifestyle. Proofed and copyedited all text.

April 2000-July

Editor, Umagic.com:

Nutrition and diet artificial intelligence (AI) self-help Internet site. Directed and managed house writers. Developed and edited site content. Proofed and copyedited all text.

1998-2000

Managing & Acquisitions Editor, Carroll & Graf Publishers:

Responsibilities include scheduling, budgeting, and managing the production of books; hiring and managing editorial freelancers and jacket designers; acquiring and editing books. Edited books in a variety of categories including fiction, film history, and lifestyle.

1988-2003

Senior Editor, CONJUNCTIONS (literary journal):

Responsibilities include project development, acquisitions, editing, copyediting and proofreading. Contributing writers include Russell Banks, Paul West, William Gass, Juan Goytisolo, Leslie Marmon Silko, Rick Moody, and Valerie Martin. Proofed all text.

1997

Editor, CONJUNCTIONS "Tributes":

An anthology of essays celebrating literary predecessors. Responsibilities include project development, acquisitions, editing, copyediting and proofreading. Contributors include John Sayles, Joyce Carol Oates, Peter Straub, Ana Castillo, Sven Birkerts, and Maureen Howard.

1996-1998

Assistant Editor, Henry Holt and Company:

Responsibilities include overseeing all aspects of editing through manuscript transmission, writing flap and catalog copy, and liaison to production, design, marketing, and sales.

EDUCATION

Summer 1997

Manuscript editing New York University

1986-1988

MA, Creative Writing Brown University

1984-1986

BA, English/Art History Hunter College

Summa Cum Laude

BOOKS PUBLISHED


2011
Ghosts! Brooklyn: Spuyten Duyvil.

2X2. Buffalo: BlazeVox [books].

2006

Further Adventure of the Monkey God. Brooklyn: Spuyten Duyvil,

2005

Malka's Secret Delivery. Bainbridge Island: G-O-N-G Press.

2005

NYC Stories. New York: Belladonna

2002

Magic Musée. Frauenfeld: Verlag im Waldgut.

2001

The Vulnerability of Order. Port Townsend: Copper Canyon Press.

1999

Tales of Murasaki and Other Poems. Los Angeles: Sun & Moon Press.

1996

Ten Greek Poems. New York: Dim Gray Bar Press.

1991

Places People Dare Not Enter. Elmwood: Potes & Poets Press.

MISCELLANEOUS

Residency at the Rockefeller Foundation in Bellagio, Italy. Aug. 2006.

L’avantesto nell’era dei bit, June 6-8 2004—Poetry reading and panel talk in conjunction
 with publication of my work in Italian in literary journal. Cassino University,
 Italy.

Associated Writing Program Conference,
February 2003 – reading with Copper Canyon
Press poets. Baltimore, MD.

AH! opera no-opera
. World Premiere at REDCAT, Los Angeles, CA, September 16, 17,
18, 2009.  Wrote libretto for opera. Music by David Rosenboom and others. See www.ah-opera.org for full details.

International Lyric Poetry Festival in Frankfurt, Germany.
April 2007— Read my poetry and discussed American poetry.

Poets Translate Poets, September 2002 — Reading and workshop focusing on German translation of my poetry. Gottlieben, Switzerland.

Ovidiana, May 1997. Temple University and Dicapo Opera Theater — Wrote libretto for opera based on Ovid's Metamorphoses. Music by Matthew Greenbaum.

Unspeakable Practices: Fiction Conference, October 1996, Brown University — Participant in symposium, "Sticks & Stones."

Poetry Talks, March 1996, New York University — Paper presented on "Poetry and Collaboration."

Writing from the New Coast, March 1993, State University of New York at Buffalo — Paperpresented on "Spirit and the Practice of Poetry."

AWARDS, DISTINCTIONS, AND HONORS

Residency at the Rockefeller Foundation at Bellagio, Italy. Aug. 2006.

Contributing Editor, Conjunctions. Present.

Judge, AWP Intro Award, University of Massachusetts. 2001.

National Poetry Series Award, Winner. 1997.

Featured poet on Web del Sol (webdelsol.com/LITARTS/bellen).

Fund for Poetry Fellowship, 1994.

New York Foundation for the Arts Fellowship, 1991.

American Academy of Poets Award, 1988.

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