Whether working with the
Cosmopolitan magazine Bedside
Astrologer on a humor book,
co-authoring a memoir on the Scott
Peterson murder case, assisting a
U.S. Presidential candidate/author
or mentoring a first-time mystery
writer, Bonnie Hill loves
working with authors. When editing
your work, her goal is not to change
for the sake of change, but to make
you sound more like *you* -- without
leaving editorial fingerprints.
Writer-friendly
A newspaper/magazine editor for 22
years as well as a national
conference speaker and contest
judge, Bonnie is a writer-friendly
editor/mentor who has helped
numerous authors break into print
and published writers reach the next
stage of their careers. She teaches
workshops for Writer's Digest Online
Workshops and authorlink.com and
speaks at writing conferences across
the country. In the private writers'
workshop she leads in Fresno,
California, her workshop members
have won awards (such as the Hackney
Literary Prize for fiction, Dark Oak
Award for a first mystery and first
prize in contests at the SouthWest
Writers and Yosemite Writers
conferences) and sold everything
from novels to nonfiction books,
essays and cowboy poetry to top
publishers such as Woman's Day,
Cosmopolitan, Writer's Digest, Story
Line Press, Santa Monica Press, and
Simon & Schuster.
Top publication credits
A former newspaper editor and
magazine columnist, Bonnie has
completed a six-book contract with
MIRA Books. Her titles include: Killer Body, a thriller
set in the weight-loss industry, a
Cosmopolitan magazine “pick”; Intern, called "a
page-turner" by Publishers Weekly; Double Exposure a
political thriller, and a series of
three mass-market paperback
newspaper thrillers published in
2006. She has co-authored books on a
wide range of topics, including
motivational subjects, memoirs, the
history of Muscle Beach, California,
and the Scott Peterson murder trial.
Bonnie has worked as a contributing
editor and columnist for American
Writers Review and columnist for
Editor-Writer and Byline magazines.
In addition she has sold hundreds of
freelance articles to such magazines
as Writer's Digest, Writing for
Money, Family Circle and others and
writes book reviews for Publishers
Weekly. The
(Expanded) Freelancer's Rulebook was published in 2002 by Story Line
Press and named one of the top 25
writing books by The Writer
magazine. With fitness pioneer
Harold Zinkin, she wrote a
nonfiction book, Remembering
Muscle Beach in 1999.
A matter of focus
Bonnie feels that most writers don't
lack talent—they lack focus. And she
believes character, especially
internal conflict, is the key to
creating marketable fiction. “The
good have flaws, and the bad have
reasons.” She also believes that
whatever the genre, fiction provides
closure in the way real life doesn't
always do. She reads widely and
enjoys teaching and editing writers
in all genres, especially writers
who are passionate about their work.
"Passion," she says, "is the one
ingredient you can't edit in later."
Submission materials: Book proposals and, query letters
Developmental Editing / Rewriting
High-profile ghostwriting
Critiques / Evaluations
Mentoring
Book Proposals / Synopses
Feedback
"I could tell from our initial phone conversation after she'd read the first few chapters, that she was already caring about the story and the writing. She informed me that I had the ability to write the book proposal myself. The task seemed daunting, but under her leadership, I worked hard to prove her right. Not only did Bonnie give of her literary expertise, she gave her time—making herself assessable any hour of the day or night. At one point, I had the opportunity to attend a pitch slam in New York. Sixty-six agents and two editors would be represented. Bonnie asked that I send her the names. Then helped me choose the agents ... to speak to. ... When I told her that all six had invited me to send them my proposal, Bonnie's reaction was like that of a best buddy—she was thrilled for me. At one point, I'd realized I wanted to add more material to the chapters. I sent it to Bonnie. She approved and included in her edits, and when she returned the final edit, I was delighted. Other than some necessary restructuring and removal of extra lines—I have a tendency to overwrite—all the chapters as well as the proposal were kept in my own words. I highly recommend Bonnie to every author who is looking for 'hand holding' and special care." —Fran Mann
"The Slacker's Guide to US History was just purchased by Adams Media. We are so excited to be taking this step on our quest to become authors! Don and I wanted to thank you SOOOOO much for your help and advice on this project." —J. Mueller
"Bonnie Hearn
Hill has been my editor
for almost 10 years.
During that time she has
edited book proposals,
non-fiction and fiction
manuscripts, and
numerous articles for
me. Her editorial skills
are superior and she's
one of the most sought
after writing
instructors in the
country. She is one of
those rare individuals
who gives 100% to each
of her students and
clients. She's is truly
dedicated to helping
writers succeed.
I can't
recommend Bonnie highly
enough, and I'm sure
you'll hear the same
thing from any of her
clients." —Hazel Dixon-Cooper,
author of: Born on a Rotten Day and Love on a Rotten Day,
Simon & Schuster, and
the Cosmopolitan magazine Bedside
Astrologer column.
"She is quite simply the
finest editor I've ever
met
and/or worked with. And
I don't say that
lightly. She's a truly
gifted editor." —Cindy
Wathen,
editor of the
award-winning nonfiction
book, Remembering
Cesar, and former
editor for McGraw Hill
and the University of
California Press.
"The network was responsive and helpful. Bonnie was fabulous. Her comments and edits were invaluable, and her mentorship and friendship are irreplaceable. Would definitely work with her again, and plan to do so soon." —(Contact info on request)
"The information/bios for independent editors/evaluators on the web site was very helpful. I felt I could get a sense of the style and experience of the various consultants. All of the three potential consultants I chose initially, answered immediately and were available for follow-up until I was able to choose the best fit. It was easy and fast. Bonnie not only promptly answered my email, but also called once I expressed interest, to discuss her services, what exactly I was looking for, and my expectations for the result. She was clear about her subjectivity and what she would provide (and NOT provide) and when. It was clear by our conversation, (and by our on-going interaction and her involvement in various forums) that she actually enjoys helping writers. I selected her because of her enthusiasm, her background and experience, the fact that she is a many-times published author, and because it seemed not a “job” but her vocation. I am extremely pleased with that choice. Bonnie exceeded my expectations. Her feedback on my manuscript evaluation was thorough, constructive and positive related to changes that could improve the work. I didn’t feel she was telling me what I wanted to hear, but what I needed to hear. Yet, she provided 'hope' and encouragement to invest the additional time to work on the manuscript. Bonnie provided very detailed feedback on a portion of the writing that served as an example for me to sift through the rest, looking for similar improvement opportunities. She also provided a comprehensive evaluation at a higher level, that assessed strengths and weaknesses and provided suggestions for improvements. Since this was my first manuscript, I felt I could no longer be objective about whether it was worth pursing or not. Bonnie gave me clear feedback that helped me decide. And, bonus! She is a DELIGHT to work with. I will pursue her services again, and would highly recommend her as an knowledgeable, honest and constructive teacher/evaluator." Kimber Rau
"I don’t think I could have found another editor ANYWHERE, as professional, responsive, knowledgeable, and personable as Bonnie." (Contact information on request)
REQUEST FOR ESTIMATE/CONSULTATION
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A sample is required to receive an estimate for editing services
6. Describe your project: (e.g., book, business document, dissertation)
7. Describe the level of writing or editing required: (e.g., copyediting, proofreading, content editing, fact-checking, ghostwriting, formatting)
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