Editing

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Editor of Fiction and Nonfiction Manuscripts
 

Carly Cantor is a publishing industry veteran who has worked in-house at a New York publisher as an acquisitions editor and is a two-time published author (history books). Most recently, she has worked as an independent consultant and project editor for Random House, Prentice Hall, and  iUniverse. She also represents authors as an agent with a well-established NYC agency. Her extensive experience includes critiquing, organizational and development editing, and line editing of fiction and nonfiction projects. She is a meticulous hands on editor who “becomes one” with every project, paying close attention to both the big picture and the small details.

She has often worked with academics, psychologists, and medical doctors on high-level material in the social or life sciences and has helped them make their writing more accessible to a trade audience. One thrilled client, a doctor, said of her, “She is a consummate wordsmith, with the facility of not only understanding and integrating scientific and technical material but also illuminating arcane and otherwise opaque descriptions. She expertly shapes the structure of a presentation for better narrative flow, simplifying complex material to make it reader-friendly.” 

Carly also edits fiction, with an understanding of the importance of subtlety and nuance. She approaches fiction with an appreciation for how the brain works and for the idea that a reader likes to pick up clues and figure some things out for himself rather than be told everything directly about how characters are thinking and feeling. One novelist client said, “I have been guided by a number of different editors throughout my career. Without any hesitation, I can say that [she] is the best editor I have ever worked with.

Specialties

Services offered:

  • Manuscript evaluation /critiquing
  • Development editing
  • Line-editing and writing assistance

EXPERIENCE

Developmental Editor, Project Editor, free-lance     
1999–present
Edit manuscripts for major publishers, authors, and literary agents. Most recently, worked with Amphoto (Random House), Prentice Hall, Dorset Group, iUniverse, and the literary agency Joëlle Delbourgo & Assoc.

Project Editor, free-lance     
2001–02
Located and contracted authorsfor and developed the eight books in the Hispanic Library series (The Child’s World, 2003) from first draft to final proofs, including photo acquisition.   Was project editor for two other illustrated library series, published by Enslow: Artist Biographies (2002) and Internet Library (2003).

Author, free-lance
2002
Wrote two of the books in Child’s World’s Hispanic Library series: Francisco Vásquez de Coronado and The Mexican War, published 2003.

Acquisitions Editor, Carol Publishing Group, New York, NY
1996
99
Acquired and edited 16 hardcover and trade paperback titles per year (some illustrated) on various nonfiction subjects (see attached book list). Developed productive relationships with many literary agents. Originated concepts for books and found authors to write them. One example: God-Optional Judaism, by Judith Seid, a unique how-to book for practicing secular humanist Jews; conceived title, found author (a humanist rabbi), and designed structure and content of book.

Production Editor, Carol Publishing Group, Secaucus, N.J.
199496
Oversaw design, art, copyediting, proofreading, and indexing, and performed developmental editing and line-editing on problem manuscripts.

Project Editor, Navta Associates, Montclair, N.J.
1993
94  
Edited and supervised copyediting, proofreading, and design for manuscripts commissioned by educational publishers in the natural sciences and medicine.

EDUCATION

M.A.  1982   Johns Hopkins School of Advanced InternationalStudies Bologna, Italy,and Washington, D.C.

[Interned at The MacNeil /LehrerReport ]

B.A.   1980    SUNY-Binghamton, Binghamton, New York – Comparative Literature

ARTICLES

Editing Fiction

Editing Nonfiction

 

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2. E-mail addresses: (.edu addresses often bounce. Please provide secondaries.)

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5. Project category: business, technical, scientific, medical, legal, academic, education

6. Describe your project: (e.g., book, business document, dissertation)

7. Describe the level of writing or editing required: (e.g., copyediting, proofreading, content editing, fact-checking, ghostwriting, formatting)

8. Current word count of document:

9. Your deadline date:

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11. If you are a student, please provide the URL of your university's style manual:

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