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Professional Book Editing Services - Manuscript Critiques - Proofreading
Professional Book Editors, Proofreaders, and Publishing Consultants
It's impossible to proof your own work; you tend to overlook mistakes of all types. Your mind subconsciously fills in what it thinks should be there, and your conscious appraisal is none the wiser.
A manuscript should be noticed for its content and quality. The writer is too close to the material to be objective. A professional book editor can recognize the repetitions, inconsistencies, faulty logic, and other problems that are often overlooked by the writer.
In short, the final part of the writing process is having a professional book editor and proofreader (not your neighbors or your kid's English teacher) polish the manuscript before it is offered to an agent or publisher.*
No editor can guarantee publication, but if you want your work to have the best chance of being read and considered seriously—and if you are open to other opinions about your work—we'll be glad to help you work toward that goal.
"To my surprise, the network response was fast, and gave me several excellent options with regards to editorial services from which to choose. After careful consideration, I chose an editor that most closely related to what I wanted to achieve. I can honestly say that his work was both professional and timely. After having used other editorial services, those offered by Book Editing Associates was what I hoped all the others had been. I will use them again." —(Contact information on request)
"With a couple a bad experiences under my belt, I was very impressed with your professionalism. The coordinator was most helpful. ... My editor gave the most prompt and comprehensive answers to all my questions, was always available for consultations, and returned the work BEFORE the agreed upon deadlines. Her sense of humor and patience, added to her most proficient editorial skills, turned this project into a most pleasant experience." Contact information on request
"I have received three responses within twelve hours, and am writing to say how pleased I am to have found such an organized association to search for an editor." Anita B.
"I cannot commend the network highly enough for the level of professionalism and customer service of its associates. Best wishes, Martin Walker"
"WOW! Talk about prompt, efficient and thorough service... It was a difficult choice... so much talent on offer. I am very impressed. Thank you." Lee K. Curtis, Northern Correspondent, Wildlife Australia Magazine
"Thank for guiding me towards a great person, someone I feel very at home with. Your level of service is 2nd to none." D.J. Churcher, UK
"You've already done the background work. We just have to pick one and go with it. So easy." Achuth Menon
"The site made it easy for me to have access to many experienced editors and then choose the one that best fit my work. It made me feel much more secure in my choice." Joshua LeBlanc
"I think this is a well organized editing group. Everyone I have been in contact with has been very knowledgeable and professional." Deneene
"Thank you for your email and professionalism, which is quite refreshing in these days of impersonal e-business. Thus far, your service and contractors are remarkable! And I will be very, very pleased to recommend you to others here in Saudi Arabia where outsourcing of English material is very much in demand." RD Muslim
Fiction & Nonfiction Book Editors
Note:
See technical, medical, and business for specialized editors and writers.
See book submission for composition of book proposals (cover letter, query letter, synopsis).
Award-winning writer and editor H. L. BELL is committed to helping other writers make their work the best it can possibly be. Intimately familiar with the thrills and insecurities of the writing process, she empathizes and works especially well with other writers. Clients have praised her as an editor with an engaging manner, a meticulous attention to detail, and a consummate skill with language.
She has edited a broad range of acclaimed fiction and nonfiction titles, including Bonnie Jo Campbell’s American Salvage, finalist for the 2009 National Book Award in fiction. Her own fiction and book reviews have appeared in Jane, Salon,The Women’s Review of Books, and the Chicago Reader.
DEANNA BRADY is a highly versatile freelance writer and editor with more than two decades of experience. Known as an "editor's editor," she ghostwrites, rewrites, develops, and copyedits a wide range of material, including self-help/how-to books, novels (both literary and genre fiction), creative nonfiction, biographies/memoirs, proposals, cover and query letters, articles, essays, scripts, business communications, and Web content. She has written and edited marketing and advertising copy for Fortune 500 companies and is adept at editing ESL and translated text, as well as scientific/technical material. In addition, she specializes in projects concerning spirituality, ecology, Native American Indian culture, psychology, allopathic and complementary medicine, and health, and she particularly enjoys working with& fantasy, science fiction, historical, romance, adventure, mystery, and young adult literature.
Deanna spent more than a decade as a magazine editor. She also taught at California State University for a dozen years, has written several children's textbooks, and is an award-winning author of short fiction and poetry. Her many happy clients greatly appreciate her expertise, gentle guidance, and ability to preserve their individual voices and help make their manuscripts shine.
BETH BRUNO is a columnist, author, and book editor. Hundreds of her articles have been published in print and online, and her first book, Wild Tulips, came out in 2001 and went into a second printing in 2002. Beth's proximity to New York and her position as President of the CT Authors and Publishers Association give her unique access to literary agents and publishers in and around New York City. Several of the authors whose manuscripts she has edited have been published in the mainstream, thanks to her referrals on their behalf. Beth's editing interests are eclectic and include a delicious mix of fiction, nonfiction, young adult, and children's works.
D.J. BRUNO works closely with authors to develop, liven, and perfect their books and articles. She provides manuscript critiques that offer extensive feedback on every aspect of a narrative, as well as ghostwriting, developmental editing, copy editing, proofreading, and marketing (proposal, query, and synopsis development and agent contact).
A fiction writer herself, she was an editorial assistant and reader at Ploughshares, had her fiction published in various literary magazines, taught literature and grammar, and edited a range of material from memoir to erotica, biography, short fiction, poetry, travel writing, personal essays, and literary and commercial fiction. She specializes in film and photography, food and wine, nutrition, travel, psychology, memoir, and literary fiction.
Copyediting, proofreading, developmental editing
Ghostwriting
Manuscript critiques
Mentoring and writing instruction
Submission materials: book proposals, query letters, synopses, agent/publisher research
Non-fiction: marketing & business communications travel, creative nonfiction, cookbooks, psychology, diet/nutrition, health, memoir, biography, self-help, alternative medicine
Entertainment: photography, film, art
Poetry and screenplays
"Thanks for your flexibility, great attitude, and hard work. It was a pleasure working with you on this project." - Sarah Yezzi, Senior Technical Editor, Prentice Hall
assistance to nonfiction book authors on works related to science, medicine, health, psychology, education, and related fields. Brynie provides substantive and developmental editing, rewriting, and ghostwriting of manuscripts and assistance with proposals and query letters.
critiques of novels for fiction writers working in the genres of mystery; science fiction; action adventure/thriller; literary; contemporary/mainstream; detective/crime; horror; and children/juvenile/young adult. (No romances or fantasies, please.)
Brynie is the author of 25 nonfiction works. Her latest, Brain Sense (Amacom, 2009) explains the latest advancements in neuroscience for general audiences. She has won numerous awards for her juvenile and young adult nonfiction, including “Best of the Year” from the American Association for the Advancement of Science and “Best for Teens” from the International Reading Association.
She has a Ph.D. in science curriculum and instruction, and she is an experienced editor of science activity books, trade books for middle school and high school, and textbooks K-12. She has worked for major publishers as writer, substantive editor, developmental editor, copyeditor, and fact checker. She excels at communicating complex ideas clearly and simply. Over the last eight years, she has assisted more than 20 authors with preparation of their nonfiction proposals and development of their manuscripts. Several have gone on to achieve publication and commercial success.
Brynie loves fiction, and she has written three novels, all published by Geneses under a pseudonym. She has won several contests and awards for her short fiction, which has been published in such magazines as Thema, Alfred Hitchcock Mystery Magazine, Midnight Zoo, Aberrations, Over My Dead Body!, Haunts, and others. She critiques novel manuscripts, helping authors develop their characters, plot, dialogue, voice, and style. Over the last eight years, she has critiqued more than 30 novels. Her advice has led to publication and commercial success for several novelists.
Nonfiction: assistance with the development of manuscripts, proposals, and queries; developmental/substantive editing; rewriting, ghostwriting
Fiction: novel critiques: mystery; science fiction; literary; action adventure/thriller; contemporary/mainstream; detective/crime; horror; children/juvenile/young adult (no romances or fantasies, please)
Note: Faith is not taking submissions until March 2012.
CARLY CANTOR is a publishing industry veteran who has worked in-house at a New York publisher as an acquisitions editor and is a two-time published author (history books). Most recently, she has worked as an independent consultant and project editor for Random House, Prentice Hall, and iUniverse. She also represents authors as an agent with a well-established NYC agency. Her extensive experience includes critiquing, organizational and development editing, and line editing of fiction and nonfiction projects. She is a meticulous hands on editor who “becomes one” with every project, paying close attention to both the big picture and the small details.
She has often worked with academics, psychologists, and medical doctors on high-level material in the social or life sciences and has helped them make their writing more accessible to a trade audience. One thrilled client, a doctor, said of her, “She is a consummate wordsmith, with the facility of not only understanding and integrating scientific and technical material but also illuminating arcane and otherwise opaque descriptions. She expertly shapes the structure of a presentation for better narrative flow, simplifying complex material to make it reader-friendly.”
Carly also edits fiction, with an understanding of the importance of subtlety and nuance. She approaches fiction with an appreciation for how the brain works and for the idea that a reader likes to pick up clues and figure some things out for himself rather than be told everything directly about how characters are thinking and feeling. One novelist client said, “I have been guided by a number of different editors throughout my career. Without any hesitation, I can say that [she] is the best editor I have ever worked with.
“Carly was indispensable for the birth of my memoir. She helped me to not only tighten my writing but also improve the structure of the narrative to make it more thrilling. I found a very effective, inspirational guide in her ability to culturally translate my experience in Korea for American audiences.”
—Jid Lee, author of To Kill a Tiger (Overlook, 2009)
“My personal experience in working with Carly has been very rewarding. She has the grit to drill down into the material so that nothing is taken for granted. She also demonstrates an intuitive skill to help add an overarching structure to the work that helps expand its scope, further increasing the book’s accessibility to those audiences we wish to reach. Her persistence in getting the content to seamlessly flow from one technical subject to the next is a true gift.”
—John W. Cassidy, MD, author of Mindstorms: The Complete Guide for Families Living with Traumatic Brain Injury (Da Capo Press, 2009)
MICHAEL CARR has edited or copyedited 300+ fiction and nonfiction titles for major publishers and authors. Notable nonfiction authors include Bernard Goldberg (NY Times best-seller Arrogance),CNN anchor Lou Dobbs (Exporting America), Rev. Al Sharpton (Al on America), and CNN Crossfire host Tucker Carlson (Politicians, Partisans, and Parasites). Michael edits most fiction genres but specializes in literary and historical, crime/mystery, drama, fantasy, and science fiction.
Notable authors include Brad Meltzer (#3 NY Times best-seller The Zero Game), NY Times Notable Book of the Year author Archer Mayor (The Surrogate Thief, Gatekeeper, The Second Mouse), crime grandmaster Donald Westlake (the Dortmunder series), and the fantasy master Michael Moorcock (The White Wolf's Son).
Michael has also edited eight published volumes on world affairs and some twenty self-help books (medical, psychological, personal growth, and business) and has translated a dozen novels and other literary works from Spanish to English.
KATHRYN CLAPPERis a writer’s editor. She is passionate about partnering with both nonfiction and fiction authors to bring their ideas and stories alive. With 10 years of experience editing more than 300 titles and textbooks for major publishers such as National Geographic, Candlewick Press, Scholastic, Prentice Hall, Pearson Longman, and Blackwell-Wiley, Kathryn knows what it takes to convert an idea into a bound book. With every manuscript, she acts as an advocate of the reader while holding true to the author’s style. Her talents do not stop at developmental editing, however. As an eagle-eyed copyeditor and proofreader, she relentlessly perfects details while keeping the big picture in mind.
Kathryn is a certified English teacher with a bachelor’s degree from Princeton University (anthropology) and a master’s degree from the Harvard Graduate School of Education (teaching and curriculum). Her areas of expertise include literary nonfiction, YA fiction, biography, general interest nonfiction, scholarly works, children’s nonfiction, and instructional content in the humanities and social sciences.
Kathryn offers the following services:
Copyediting and proofreading
Developmental editing
Project management
Nonfiction: literary, scholarly, children’s, textbooks, other instructional content, Web content
Fiction: YA, mass market, literary, historical
Manuscript critiques and writing assistance
“Thank you for a truly excellent job in editing my nonfiction book. Before retaining your services, I interviewed a number of editors for the job. All of them were highly credentialed editing professionals. However, I was looking for additional qualities in selecting my editor: intellectual integrity, sensitivity, encouragement, and someone that truly enjoys working with writers. I found these qualities and more in working with you. I also found an inspirational guide. You did an outstanding job!” Henry Dahut
“If I were to build my dream editor from scratch ... Kathryn Clapper. She’s everything an author needs and wants: highly skilled, thorough, professional, dependable, kind, and cool under fire. With more than 70 books in print, I’ve worked with plenty of editors in my career, but very few are in Kathryn’s class. I can always trust that in her capable hands my work will shine. She is, simply, the best!” — Trudi Strain Trueit, children's fiction and nonfiction author
“I worked with Kathryn Clapper on a book a while back and found her approach refreshing after a couple of not-so-wonderful experiences with other editors. Entirely professional, she was relaxed and friendly without losing focus on the job at hand, demanding of high standards without making either one of us crazy, and forthright about business matters without being cold. I would work with her again anytime. A thoroughly pleasant professional.” — Stephen Peters, writer/storyteller
ROSANNE CORNBROOKS CATALANO specializes in children's and young adult books, fantasy novels, and Christian/inspirational manuscripts. Prompt and professional, Rosanne works well with any author's voice, providing clarity and punch while respecting the integrity of the work.
Rosanne's love of the written word began with her passion for books, but her knowledge of punctuation, grammar, diction and style comes from a lifetime of exceptional training. A poet herself, Rosanne understands the blood, sweat and tears that go into writing.
She gives each author's work the care it deserves, drawing on her diverse life experiences and knowledge in many fields like period clothing, genetics, all aspects of theater, Celtic legends, rustic camping, the martial arts, architecture and languages (Latin, French, Anglo-Saxon, Middle English, a little Welsh and Japanese).
Add that to the marketplace savvy she learned working in publishing houses, and you have an experienced editor who can polish a manuscript and get it past that crucial first reader!
ANNE CREAL specializes in fiction and, as the author of eight published novels, offers a unique editorial perspective. Her books include contemporary and historical children’s, young adult, and adult literature. She has worked with both small independent publishers such as Roberts Rinehart and Brown Barn Books, and with large publishing houses such as Penguin Putnam and American Girl. She has seen one of her novels made into film and has won numerous literary awards.
She believes that even in today’s tough publishing climate, it is still possible for new writers to enter the business and succeed. Second to writing her own novels, she loves to mentor others to help them achieve their goals. She knows firsthand how writers benefit from the help and support of others writers and/or editors. Her goal is to help you make your unique writing shine.
Specialties
Developmental editing
Manuscript critiques/evaluations
Query letter writing/synopses
Fiction: children’s, young adult, and adult, all genres
Memoir
"Anne has provided expert level editing assistance to me in the writing of my manuscript. Her ideas and creativity have been invaluable to me." Kandi Hofmeister, author of the memoir, Held.
"Anne's insight and original input helped improve my novel and matched my expectations beautifully." Andrea Kolub, author of The Lady in the Cape.
Books
Water at the Blue Earth, young adult historical fiction (Roberts Rinehart, 1998) A Ceiling of Stars, middle grade contemporary fiction (American Girl, 1999) Nowhere, Now Here, middle grade contemporary fiction (American Girl, 2000) The Magic of Ordinary Days, adult historical fiction (Viking Penguin, 2001) Under a Stand Still Moon, young adult historical fiction (Brown Barn Books, 2005) Call Me the Canyon, young adult historical fiction (Brown Barn Books, 2006) Nicki, contemporary middle grade fiction (American Girl, 2007) Thanks to Nicki, contemporary middle grade fiction (American Girl, 2008)
Other
The Magic of Ordinary Days, adapted for the screen and produced by Hallmark Hall of Fame Productions as television movie for CBS, 2005
Currently contracted for story consultation and collaboration with screenplay writer on a sequel to The Magic of Ordinary Days for Hallmark Hall of Fame Productions, soon to be produced.
ESTHER DAVID-ROLAND is a writer and editor whose experience includes writing and editing in technical and non-technical subject areas. She has worked as a journalist, writer, and editor for more than 25 years and brings her many years of experience to each project. As a freelance copyeditor, Esther has worked with major publishers, businesses, and individuals, and has worked extensively with authors whose native language is not English.
* Book editing (nonfiction)
* Developmental editing (nonfiction)
* Manuscript copyediting and proofreading
* Technical, medical, and scientific copyediting
* Website copyediting and proofreading
“My editor went above and beyond the call of duty. Not only did she fix the flow, grammar and punctuation, she challenged me on what I wrote. It forced me to either stand behind or get rid of parts of my book. I really appreciated her passion and l look forward to working with her in the near future on my next book.” - Carlton Bogan, Certified Life Coach, The Gibbor Project
"Esther coached, edited, commented, and offered constructive suggestions. Her ideas and comments were more helpful than those I received from colleagues. " John R. Schultz, consultant, writer, retired professor
"Esther was great! She was very informative and clear as to the reasons for changes she suggested. Very bright and intuitive, it was a pleasure working with her and hope to do so again soon." (Contact information on request)
For 35 years KAREN DAVIS has produced award-winning writing and editing, prompting one of many loyal clients to call her his "secret weapon in attaining communications supremacy." She has repaired and revitalized 500+ fiction and nonfiction manuscripts for authors, publishers, and corporations in New York, Boston, Los Angeles, London, and throughout the world. Clients value her meticulousness, intelligence, honesty, reliability, creativity, and warmth.
Karen was the editor of choice for master crime writer John Gilmore (Severed: The True Story of the Black Dahlia Murder). Several encyclopedic works she edited won American Library Association Outstanding Reference Source Awards. Nonfiction clients have included Walt Disney Company, Penn State University, the State University of New York, Comic Relief, and March of Dimes.
Karen has world-class journalism credentials from London's Times and Regional Newspapers and has written hundreds of features and articles. Her book, Santa Anita Morning Rhapsody, was the first to document mornings at a thoroughbred racetrack. Lyricist and composer, she recorded a CD, Someone Loves, that airs internationally.
Her many areas of expertise include literary works, history and historical fiction, British language and culture, drama and screenplays, children and young adults, crime and mystery, nature and the environment, science fiction, fantasy, music, poetry, romance, and travel.
Before STACEY DONOVAN became a professional editor more than 20 years ago, she worked in a literary agency where she learned how to say no more often than yes, and include reasons why. A stint in advertising followed, teaching her to tell it short and sweet, meet deadlines, and most important: never give up.
Donovan is a six-time published book author of both fiction and non-fiction. She has edited or ghostwritten more than a dozen published books for her clients. Two became New York Times Bestsellers, and another nominated for Best First Novel by International Thriller Writers. She is experienced in many genres: Contemporary/Mainstream; Caper/Detective; Erotica; Gay/Lesbian; Literary Fiction; Mystery; Psychological Thriller; Suspense; Women’s Fiction; Young Adult; Memoir/Autobiography; Creative Nonfiction.
Specialties
Detailed critique/evaluation of your manuscript
Developmental/structural/stylistic edit of your manuscript
Complete revision of your manuscript
Collaborate with you in a mentoring capacity as you edit your manuscript
Collaborate with you on a query and/or synopsis when the manuscript is ready for publication
Determine with you which literary agent would be suitable for representation
Determine with you whether to pursue mainstream, small, or self-publishing
Consultation on your initial and/or ongoing Social Media strategy
Donovan is a writing coach, mentor, collaborator and ghostwriter. She has published dozens of non-fiction articles on design and art, and specialized in celebrity interviews with experts in their field. She is also a Publishing and Social Media strategist.
JOAN DUNAYER has been a professional editor for more than two decades. She has edited research papers, dissertations, journal articles, magazine articles, and books on a wide range of topics, including psychology, language, literature, education, politics, and medicine.
A graduate of Princeton University, Joan has master’s degrees in psychology, English education, and English literature. She has taught writing to high school, college, and university students. At the University of Pennsylvania, Joan taught classes on preparing psychology reports in APA format. In addition to being an expert in APA style, Joan is thoroughly familiar with Chicago and MLA styles.
Joan also has written professionally. Her articles and essays have appeared in magazines, journals, textbooks, and anthologies. Most of her writing has focused on literature, language, psychology, philosophy, and politics. For example, she has written the commentaries for new editions of twenty-one literary classics.
“I consider myself a skilled writer, but I admit that after this experience I realize I have much to learn. I have never had my writing so effectively edited. Joan’s suggestions and revisions were masterfully crafted to retain and enhance the meaning of my writing. I will certainly ask Joan to help me craft future projects. I feel very fortunate to have found her.” —W.B. Elder, University of Utah
LES FOXMAN is a public relations professor. He currently teaches Technology and Ethics, "which examines the impact that technology has upon the foundations of social, legal, cultural, and moral systems as it pertains to education. The course also addresses the challenges of copyright, intellectual property, privacy, free speech, and ethically responsible behavior. The technological and ethical issues studied helps students gain the experience, perspective, and confidence needed in an educational environment increasingly shaped by immersive, convergent digital media technologies."
Dr. Foxman has a great deal of empathy for those involved with extensive writing projects and he is willing to help writers meet the challenge at virtually any stage of the writing process – from framing good research questions to presenting results and conclusions in clear, detailed language. He works closely with students in developing the appropriately narrow focus essential to writing effective introductions, conclusions and abstracts. Likewise, he helps students work through the systematic procedures for identifying relevant theoretical literature, substantiating the significance of the research problem, describing research variables, and demonstrating how the study advances the academic discipline’s knowledge base. Well versed in the full spectrum of quantitative and qualitative research methodologies common to public relations and mass communications, he also works with students on framing the valid research protocol for their theses and dissertations.
He also teaches and writes about journalism history, popular culture, criticism, integrated marketing communication, public policy issue management, crisis communication, and media message planning and management for organizations. Dr. Foxman is the U.S. editorial advisor for an online art design publication and is a contributor to a Utah business magazine.
"Les is very professional. An incredible writer. His instruction is helpful in the professional work place. He is a fabulous teacher."
"Les was a hard, but good teacher. I realized just how much he taught me after I graduated and went to the 'real world.'"
MARLO GARNER is an editor, children's author, and illustrator. She has been editing children's books and teaching writing for children since the late 1990s. She is on faculty at the Rhode Island School of Design (RISD) Continuing Education and teaches ‘Writing for Children's Books.’ Her first book for children Let's Visit Space was recently released in 2007 by Macmillan McGraw-Hill, and her second Author at Work, Dr Seuss is forthcoming. Marlo’s middle grade chapter book Ginny Giles series, is due for release mid 2009 from Clean Slate Press. She is currently writing a YA novel, a middle grade fantasy, and innumerable picture book texts (which spring forth at the most inopportune times). Marlo is a member of the Society of Children's Book Writers and Illustrators (SCBWI) and the Guild of Natural Science Illustrators (GNSI).
Marlo believes in not only editing the work of her clients, but in teaching them to become better writers, equipping them with knowledge they will need as they continue on their journey, while keeping the integrity and unique voice of each author’s work. Marlo is passionate about all sub-genres of children's books and finds it almost impossible to choose which she prefers editing, reading, or writing. She will happily tackle texts in rhyming verse and is a wizard with a rhyming dictionary and her mental metronome.
She provides:
Copyediting & proofreading
Developmental/substantive editing
Cover letters, query letters (free with contracted service)
Correct formatting & understanding the submission process
Illustration, illustration critiques and advice for aspiring illustrators.
"Marlo ... is a far greater editor than any I have ever worked with. She did far more than simply read and comment upon my text, as others have done. Marlo worked with me extensively to develop my characters and plot into something of incredible beauty and fluidity. She dedicated her time to my novel, often working late into evening and in the early hours of morning to complete her task. Marlo took my book beyond the extraordinary. She has an instinct and passion for the fine and poignant; a talent for enriching even the most ordinary of text. She breathed new life into every word, every line, every striking sentence!" Michelle Izmaylov
Val Gerard retired in 1999 after 30 years as a scientist and professor. With a strong record of publications and successful research funding, she now uses her skills to help others achieve similar successes.
Past and current clients from Australia, Canada, Chile, China, Columbia, France, Germany, Japan, Korea, Mexico, the Netherlands, Norway, Patagonia, Saudi Arabia, Switzerland, Thailand, Uganda, the U.K., the U.S., and Venezuela.
High rate of client success with manuscripts submitted to scientific and medical journals, and with grant proposals to various funding agencies, including NIH and NSF (largest successful grant to date, $120 million).
Assists clients in developing written materials for commercial websites, brochures, etc.
Specializes in organization, interpretation, and clear presentation of complex information.
Helps clients improve their own writing skills for future projects, including non-native English speakers.
Provides rapid turnaround. Helps you submit your grant proposal, manuscript, book, chapter, or report on time.
More than fifty publications (see publication list, below) and one million dollars worth of successful grant proposals of her own.
Past experience as associate editor and/or reviewer for over two dozen scientific journals, including Science, and government funding agencies.
“Dr. Gerard is a wonderful writer. She took something that was a bit dry and made it engaging and easy for regular people to understand. Also, she is lovely to work with.” Vanessa Spann, associate editor, Healthy Travel Media
“Dr. Gerard help was the key for the success of my PhD thesis. She right away picked up my writing flaws and worked with me so I could understand the right way to write. Also, her suggestions about structure and comprehension were right on the mark. My committee was very impressed with the quality of the work presented and I have already recommended Dr. Gerard work to some of my colleagues.” - Successful Ph.D. Candidate in immunology, 2010
"DONE!!! The paperwork is signed and submitted, the after-defense party has been held, and I am feeling very good!!! As far as congratulations go - you deserve MUCH credit. Thank you once again, Val. That mock defense was incredibly helpful, as at least 2 questions were nearly word-for-word! Your assistance with the talk was also of great benefit, as [my advisor] said that it was one of the best defense presentations he had ever witnessed! I can put this project on the 'finally finished' pile. Your help in all this has been pivotal. I will never forget it. I have neverin my lifeeverreceived such targeted, useful professional advice, and productive feedback. It has been a true pleasure working with you, and learning a new way of writing and putting together a scientific story."Successful Ph.D. candidate in Ecology, U.S. 2007 (contact information on request)
"I had completely given up on the Masters, I emailed my tutor again this week and he said he would chase it up. He has just emailed back saying it has not only passed but been awarded a distinction! I owe this to you over and over, I would have given up but you just kept pushing me on." M.Sc. in Medical Education, UK, 2009 (contact information on request)
SHERRY GERSHON has performed developmental and intensive line-editing for over 250 books, primarily novels by new authors, and she contributed the chapter entitled "The Book Doctor is In: The Seven Most Common First Novel Problems and How to Avoid Them" in THE PORTABLE WRITERS' CONFERENCE (Quill Driver 2007.
A former bookstore owner, Sherry knows what sells: Her own books have been published by Forge/Tor, Viking and Warner; her first book was nominated for the PEN West USA Literary Award for Nonfiction, and her first novel was aired as a TV movie. Some of her editing clients have subsequently sold their books to major publishers, including Knopf, Harper-Collins, Berkley-Putnam, St. Martin's Press, Greenleaf Book Group Press, and Jossey-Bass.
She particularly enjoys working on mysteries, thrillers, adventure novels, and speculative fiction/science fiction, but has also had experience with young adult novels (two YA novels she edited were published by Knopf), memoirs, and both contemporary and historical fiction (including an historical published by St. Martin’s Press).
Sherry also writes résumés, cover letters, and follow-up letters, and provides her
résumé clients with a free job search handbook, six months of
free updating, free lifetime storage, and lifetime updating
and/or future work at 50% off.
“THE BLOODIEST QUEEN will be my thirty-third published book; I've grown lazy and jaded and had thought there was little anyone could teach me, but I wound up being blown away by Sherry’s editorial acumen. She understood all the nuances of the scene in question better than I did — and pointed out exactly what wasn't working, and why. She then gave me a suggestion which was nothing short of brilliant in terms of making the whole thing work beautifully.
Trust me, Sherry is an honest, top-notch professional editor. Whether you're an aspiring writer or an established professional, if you're writing a novel and could use some help, please consider Sherry.” — Jeanne Kalogridis
“Sherry worked with me on my manuscript for my novel Glint, published by St. Martin's Press. I do not hesitate to say that without her help and suggestions, I might still be trying to figure out what I should be doing. In other words, her editing accelerated my learning curve by at least a year, if not more. I don't know how to put a value on it, except to call it immeasurable. I am grateful for having had the opportunity to work with her and I hope to work with her again in the future.” — Joseph Valentinetti
"By the time we had finished, I felt I not only had a better book, but I had learned how to be a better writer. Sherry conditioned me to be aware of flowery language, superfluous description, and getting in the way of the story. As far as I'm concerned, the money I spent for editing was a very good investment."
— Stephen B. Carr
ANNE GREENBERG was an in-house editor of children's books for 16 years at Simon & Schuster/Pocket Books, specializing in fiction for readers 5-8, 8-12, and young adult. As a freelancer, she focuses on developmental editing, editing, and copyediting of adult fiction and nonfiction, in addition to children's books (but not picture books). At Pocket/S&S she edited more than 550 books (including all-new Nancy Drew and Hardy Boys titles) and worked with seasoned and first-time authors.
TIM GRUNDMANN is an author, playwright and TV scriptwriter and story editor with 25 years of experience. His books in the Doug Chronicles series are published by Disney Press. He was part of the creative team behind Pee-wee's Playhouse on CBS (for which he wrote the show "bible"), and developed the HBO comedy Norman's Corner with Seinfeld creator Larry David. As head writer and story editor for the Disney Channel's New Mickey Mouse Club and Nickelodeon's Doug, he guided scripts from concept to final draft. He's written episodes of Allegra's Window and Welcome, Freshmen for Nickelodeon, and was developmental writer for Mowgli and His Friends and WaysideSchool for the Disney Channel and ABC-TV. As house writer for Broadcast Arts in NYC, he wrote scripts, proposals, treatments and show bibles for TV shows starring Gilbert Gottfried, Madeline Kahn and others. Recently he wrote scripts for the PC game My Scene Goes Hollywood for Vivendi Universal Games.
CAROL HEGBERG is an internationally published, award-winning writer and content editor. Her novel is entitled Pen Pals. Her non-fiction book is Rochelle. Her poetry, scripts, short stories, and articles have been published in many magazines and books. Carol knows the endurance, tenacity, and patience a writer must possess to become published. Beginning writers, published authors, agents with needy clients, and publishers who need developmental editing for their writers use her services. She helps rewrite speeches, short stories or collections, articles, essays, and manuscripts. She helps develop inspirational, Christian, and picture-book manuscripts, children and young-adult fiction and nonfiction. She's available for writing help with manuscript submissions, query letters, and book proposals.
Developmental editing, rewriting, mentoring
Juvenile & young adult fiction/nonfiction, Christian topics
LINES HINES ghostwrites, rewrites, and edits novels, business manuscripts, self-help books, short stories, essays, articles, biographies, literary fiction, proposals, and cover and query letters. She has edited over 100 fiction and non-fiction works and wrote and produced articles as managing editor of a subscription-based, B2B newsletter. She specializes in subjects such as humor, mystery, business, current events and politics, psychology, holistic healing, organic gardening, nature and the environment, weight loss, fitness, health, diet and nutrition, spirituality, alternative healing.
"Linda transformed the first few pages of the manuscript from a dull image to a Picasso-like masterpiece! Having not just the ‘eye' but also the ‘spirit' for the details is what makes me praise her even more. I firmly believe that nobody could have done it better." —Harry Yap, A Last Message to Mankind
"Linda was terrific! I may have written the book but she made it come alive." — Mike Ryan, Paragon Asset Management, The Colors of Money
"Working with Linda was outstanding!! Linda brought my book to life by enhancing all parts of it. She used her own ideas and we worked together to find the best fit for our combining thoughts. At times when I was stuck and unable to find the right words to use, she always came through with exactly what I was hoping for while emphasizing my point. Linda's style was exceptional and exactly what I needed to achieve my goal." —Casey Snyder, Mirror
SANDRA JUDD is an editor, proofreader, and indexer with more than 20 years of experience in the publishing industry. Her clients have included university presses, large, mainstream publishers, and smaller presses and professional organizations. She has edited or proofread over 300 published books, on topics that include politics, history, business, literary criticism, ethnic history, anthropology, science and medicine, industry manuals, memoirs, Christian and inspirational, parenting and relationships, humor, and fiction.
She has edited 20+ volumes in the Health Reference Series published by Omnigraphics, all published under her name as editor.
She has also edited professional journals and newsletters, business plans, scholarly articles being prepared for publication, economic plans to be distributed to the state legislature, and a number of dissertations.
She has prepared indexes for more than 30 published books.
She strives for precision in language and is devoted to making the author's voice heard.
Nonfiction: Inspirational, self-help, business, science and medicine, ethnology, history, political science, memoirs, scholarly/textbooks
"While I have never met Sandy Judd face to face, I have used her services as a copyeditor since 1997. She is easy to work with, extremely competent, and has helped me improve my writing skills. I will continue to use her services as long as she is available." -- Lewis C. Forrest, Ed.D., technical writer and published author, North Carolina
"As senior editor of a book publishing company, I used Sandy Judd’s services for several years as a proofreader and copyeditor. Her detail-oriented skills and her unfailing ability to meet deadlines kept her at the very top of my list." -- Kathryn Deering, Ann Arbor, Michigan
"I kept Sandra Judd as busy as she’d let me while I was senior editor at Servant Publications (1995–2001). She produced high-quality work on time and at reasonable cost. I highly recommend her." -- Heidi Hess Saxton, former senior editor, Servant Publications
JEFF KARON is a writer, teacher, and consultant who has helped students and professionals for over twenty years. He has edited, revised, and proofread publications that include reports, theses, dissertations, textbooks, proposals, essays, stories, and articles. His Ph.D. is in English with a specialization in Rhetoric and Composition, a choice that signals his devotion to clarity and power in language. Prior to his years as an English professor, he studied and taught philosophy, critical thinking, and logic, publishing in these fields as well as in literary studies. He has led writing and editing workshops for students, teachers, and artists. Currently, he is leading creativity workshops and developing ways to build honor in the classroom and workplace.
As a writer and teacher, he believes that we should strive for excellence by practicing effective and fair techniques at all times. He has combined a life-long interest in the martial arts with writing: if you choose to work with him, he will ensure that your writing is powerful, not merely competent.
Scope: Poetry, creative nonfiction, scholarly/educational, biographical essays, business and self-help topics.
JOHN DAVID KUDRICK (MA in
Journalism, Professional Writing: Fiction).
You are sitting at your computer, smiling, with an incredible sense of
satisfaction in your heart. After more hours than you can count, you've
finally finished your novel – a story from deep inside your soul that you
want to share with the world.
But soon the questions start hitting your mind: Is it the
very best that it can be? Will anyone even want to read it? Will an agent or
publisher want to look at it?
With more than a decade of experience as an editor, John
David understands the gamut of feelings that comes with getting your novel from
your hard drive onto the shelf at your local bookstore. That's why
he'd love to partner with you in getting your novel to the next level,
whatever stage you may be at after you've written it …
Services:
Manuscript
Diagnostic – A big-picture look at your novel and how to take your
story from good to great.
Developmental
Editing – Specific guidance and comments on how you can fine-tune
your story.
Substantive
Editing – Hands-on editing help in reorganizing and revising the
structure and content of your story for better readability.
Copyediting
– Line-by-line editing and polishing of your story.
Proofreading
– Making sure the smallest detail of your story gets fixed.
Book Proposal
Development – Jointly creating a compelling, well-crafted proposal.
Genre Specialties:
Christian
fiction (all genres – for both adults and young adults)
Action
/ Military
Historical
Fiction
Science
Fiction (Sci-Fi) / Fantasy
Contemporary
/ Mainstream
As an editor, John David has been privileged to work with
some of the best publishers of fiction in the nation, including Whitaker House
(where as senior editor he worked on James Byron Huggins' Nightbringer, a book that Library Journal named one of its annual
top five Christian novels), David C. Cook, NavPress, Realms Fiction, and
Marcher Lord Press.
"You have a true talent, John
David, something God-given. All the learning in the world can't give it
to you, and nothing can take it away. You comprehend on several levels far
beneath the story itself, a rare thing in literature these days. You can have
my back anytime." – James Byron Huggins, Author of A Wolf Story, The Reckoning, Leviathan,
Cain, Hunter, Rora, Nightbringer, The Scam, and Sorcerer
JO-ANN LANGTREE writes and edits books, stories, and articles in the following fields: business, medical, insurance, health, holistic health, spirituality, religion, psychic phenomena, young-adult fiction, children's books, mystical experience, self-help, New Age, nutrition, diet, exercise, saints & masters, gurus, theosophy, Christianity, homeopathy, vitamins & minerals, herbs, and food supplements. She was a writer and editor for Aetna Life & Casualty. As editor of Life NEWS, she had sole responsibility for finding, developing, writing, editing, and proofing all articles. Topics included new products, sales campaigns, insurance-agent interviews, accolades, seminars, Company acquisitions and policies. Jo-Ann also edits personal and business websites.
FLOYD LARGENT specializes in history, natural history, anthropology and the sciences on the non-fiction front, and speculative fiction (science fiction, fantasy, horror, and allied fields) otherwise. He's published his own e-book on fiction marketing (100 Great Places to Sell Your Short Stories, Both On and Off the Web), and is intimately familiar with technical writing, having worked as a technical writer and editor for ten years. He's also been published in most of the popular American history magazines, including American History, America's Civil War, Old West, and True West. Mr. Largent can provide publishing assistance (especially with short stories and journal articles), content development, manuscript evaluation, and mentoring services, supplemented with advice concerning manuscript mechanics,query letters, book synopses, and proposals.
TOM GRANT LEMONS is a successful novelist, editorial consultant, publisher, ghostwriter, and managing editor. His historical fiction has won awards and appeared on bestseller lists, and his novels have been translated and published in Germany, Sweden, the Netherlands, South Africa, and Poland.
Tom is passionate about the written word, and he is eager to bring his passion and expertise to your writing project. Authors Tom has worked with include Oliver North, T.D. Jakes, Bob Hamer, Joe Moscheo, and Hamilton Gayden. The fiction and nonfiction books Tom has worked on both as developmental editor and ghostwriter have been published by major houses including Broadman & Holman, Warner Faith Publishing, Hachette/Center Street, and Greenleaf Book Group.
Developmental and substantive editing, both fiction and nonfiction;
“Tom is ...one of the best writers I've ever encountered. His combination of creativity, craftsmanship, integrity, and intelligence puts him at a level I've rarely seen.”—Gary Terashita, Executive Editor, B&H Publishing Group
“Tom is an exceptional editor. An author himself, Tom is meticulous and creative in his work as he expertly brings a writer's best ideas forward. Not only are his editorial abilities outstanding, he is also warm, patient, caring, and thus a joy to work alongside. I recommend him wholeheartedly!”—Edwina Barvosa, Associate Professor, University of California at Santa Barbara
HERBERT M. LEVINE's publications include 36 books and more than 75 articles (written or edited). Subjects include: American government, state and local government, world politics, terrorism, arms control, state and local government, public administration, civil liberties, gun control, illegal drugs, chemical and biological weapons, and immigration. He served as a consultant for book projects on counterterrorism and evaluated and edited the work of academics and former government officials for that project. Dr. Levine is an expert in APA and Chicago writing requirements.
LORNA LYNCH has over twenty-five years of editing, copyediting, and proofreading experience, and has worked on more than a hundred books to date. She also co-owned a monthly newspaper for seven years, where she wrote and edited hundreds of articles. She has a tremendous instinct for what "works" and what doesn't in both fiction and non-fiction, and has guided numerous authors to publishing success. Her primary goal is to see that writing with some potential becomes writing with great potential, and she works closely with authors to achieve that goal.
Her area of expertise is character-driven fiction; however, she has edited books of all stripes, including political commentary, how-to books, humor, mysteries, romance novels, children's books, young adult fiction, detective novels, and psychological thrillers.
KELLY LYNNE is the proud “auntie” to over 20 published novels, novellas and short stories, which have sold to Kensington Publishing, Cerridwen Press, Awe-Struck Publishing, Samhain Publishing, and The Wild Rose Press. These books have gone on to earn high praise from reviewers and readers, as well as multiple awards and contest wins. As an editor for The Wild Rose Press, she has edited contemporary western and light paranormal romances, with heat ratings from sweet to spicy. Her fiction fortes include sci-fi, fantasy, romance, speculative fiction, young adult, and stories of psychic or supernatural phenomena.
Empathic about the “feel” of a story, Kelly provides suggestions so that authors may revise with their own style in mind, preserving the individual voice, while alerting authors to current trends in publishable styles. Developmental fiction editing requires an emotional investment in the work—an investment of time and effort that Kelly is happy to make.
Specialties:
Style-sheet to track continuity, character traits, and plot aspects
Critique of story plot, character believability and setting
Weeding out clichés, redundancies, wordiness, triteness and vague generalizations
Kelly has published over 100 non-fiction articles and two short stories. In between her freelance assignments, she also works on her novel-length fiction. She knows the hoops authors are expected to jump through and helps authors polish their submission packets. Query letters, synopses and professional quality formatting are as important as a well-polished manuscript.
“Kelly [has] a good sense of humor and a tactful way of communicating, who relates to writers as equals, not underlings. With each manuscript Kelly has edited for me, I've gained invaluable knowledge about the craft of fiction writing. ~Stacey Coverstone, author of High Lonesomehas
DON McCLAIRE uses forty years of editing and writing experience to help both fiction and non-fiction writers polish their work for publication. He’s spent his career as a magazine editor (11 years), award-winning public relations executive (six years), head of his own marketing communications firm (21 years), professional editor, and writing instructor. He’s written and placed hundreds of press releases and trade magazine articles, and has produced three non-fiction “how-to” books two young-adult novels, and four Donna McClaire-bylined romance novels, all published. McClaire’s work won him The Public Relations Association’s highest award, the Silver Anvil, plus two Golden Trumpets from the Chicago Public Relations Associarion.
McClaire knows firsthand, after editing for others for years and judging numerous writing contest entries, the many mistakes unpublished writers make. He spreads this knowledge by conducting workshops at weekend writing conferences and teaching two online writing classes: Editor-Proof That First Chapter for WriterUniv.com, and 21 Steps to Fog-Free Writing, at WritersOnlineClasses.com.
He'll edit your manuscript, correcting
things you may have been doing wrong your whole writing career. Areas of focus include appearance, hooks, plot, motivation, dialogue,
setting, point of view, research, conflict, and voice. He'll also edit weak verb forms, strip away
author intrusions, identify character filters, ban redundancies, eliminate
foggy phrases, correct passive voice sentences, slash misused and
overused words, and correct other writing bugaboos. These are all
problems an acquisitions editor or literary agent won't take the time or effort to tell you about, but they could keep
you from being published!
"I’m going back and redoing everything I’ve everwritten…ever! When you edited the first chapter of my latest manuscript, you opened my eyes to a whole new world—and that’s way too cheesy to be an exaggeration! I can’t thank you enough for the
profound impact you’ve had on my work. I don’t think it was coincidence that I received my first contract hardly a month after you set me straight!" Amber W. Shedeck,
w/a Amber Leigh Williams,
Fairhope, Alabama
JIM McDONOUGH has edited books on such different subjects as translations from Greek and Latin prose and poetry, Roman history, Catholic schools, Jews and Gentiles in the ancient world, Martin Luther, World War II, the Bible, foreign phrases used in English contexts, and biography. He has also edited a medical dictionary, a historical novel on the First Crusade, and encyclopedia articles. He prefers the Chicago/Turabian style. When he receives a manuscript with great idea but less than ideal presentation of these ideas, he takes great delight in helping the author give form, organization, and polish to the work so as to increase its chances of publication and of getting the author's ideas across effectively to the public. He also enjoys helping persons with Ph.D.s prepare their dissertation or other research for publication by university presses and trade publishers.
HOLLY MONTY, MA, MAComm, ELS, has been a professional APA and Chicago style editor and writer for 10 years.
Since operating as a freelance editor and writer, Ms. Monty, a Microsoft Word and LaTeX expert, has worked on books and articles published by many of the world’s leading publishers, including Cambridge University Press, Oxford University Press, MIT Press, John Wiley, Springer, Lawrence Erlbaum, Pearson-Prentice Hall, Berg, Macmillan, Berkshire, American Geophysical Union, Praeger, Greenwood, Blackwell, Elsevier, Sage, Begell House, Teacher Ideas Press, Libraries Unlimited, UTH Zürich, RAND Corporation, and other top names in academic and nonfiction publishing. To date, she has edited over 1,500 published journal articles, over 100 nonfiction books, and a wealth of dissertations and theses. An elected member of the board of governors of the Editorial Freelancers Association from 2007 to 2008, Ms. Monty is proud to have worked with a diversity of students and academics from a broad range of our nation's universities. Given her wealth of experience, she is adept at working within the precise terms of your university's thesis/dissertation guidelines or with the publication guidelines of any peer-reviewed journal.
Theodora O'Brien focuses on mysteries, science fiction, fantasy, thrillers, adventure, and horror titles. She has considerable experience with trade non-fiction. As Editorial Director of her own publishing house, Theodora published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She’s reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author’s “voice,” making sure the facts and dialogue match the time period in which the book is set, and “losing” excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend.
"I am absolutely sure I wouldn't have gotten the publishing contract if it hadn't been for Theodora's evaluation and editing. What an enormous find she was for me!" Shayne Easson, Wrath of Zar.
MARK ORRIN has authored ten published books, scores of articles and poems, and taught writing on college and university levels. A seasoned publications editor, he has also mentored numerous successful American and international authors and poets. During a career in fund raising, Mark was considered one of America's leading copywriters, copy chiefs and creative/strategic consultants. He has been listed in Who's Who In the West, Who's Who In America, Who's Who In Entertainment and The Dictionary of International Biography. His services include mentoring, critiques and evaluations, substantive editing and content development; submission materials (synopses, book proposals, query letters); ghost writing; line editing; and help with "self-agenting" your own work. His fiction focuses are sci-fi, fantasy, sword-and-sorcery, Westerns, mysteries, adolescent and children's books, action-suspense; non-fiction includes memoirs, inspirational, public issues, self-help. Mentors projects into royalty-paying (non-"subsidy") print in the general book market.
Mark is the author of How to Leap the Slush Pile to Non-Subsidy Print, and gives a free copy to each of clients.
JAMES N. POWELL. As an editor of fiction and non-fiction, he views manuscripts with a broad, comprehensive vision and an eye for detail-for "the right word in the right place." Powell's editors will tell you that his books need no editing, as Powell is, himself, an editor. He will read your fiction with and eye to making it believable and your non-fiction with a knack for making it both convincing and engaging. James N. Powell is "a good literary surgeon," as one of his accomplished clients noted. His books and short stories have been translated into many languages and are known throughout the world. His list of publications includes The Tao of Symbols (Morrow 1982), Energy and Eros (Morrow 1985), The Prentice Hall Global Employment Guide (Prentice Hall 1983), Mandalas: The Dynamics of Vedic Symbolism (Sterling 1980), Derrida for Beginners (Writers and Readers 1996), Postmodernism for Beginners (Writers and Readers 1998), Eastern Philosophy for Beginners (2000), and Deconstruction for Beginners (2005). His short story "The Silence of the Hummingbird" was published in Spanish in Revista Katharsis. in Malaga, Spain and his journalism has appeared in the Santa Barbara Independent and Montecito Journal.
Articles: The Snows of Hope Ranch Beach, Writing Your Memoirs
ARLENE W. ROBINSON has developed and edited 450+ full-length manuscripts in a variety of genres since 1996. Her clients include women's fiction author Angie Daniels, sociology professor Joyce Tang and college-success guide author Josh Richardson. The true crime memoir The Twelfth Man Standing received Turner Broadcasting Network's Trumpet Award in 2002, and 'PRESSIONS: Memoirs of a Southern Cat by Edith M. Holmes won the YOUnity Reviewers Guild Top Honor Award. Arlene welcomes new or published authors as clients, and enjoys helping journalistic, business and academic writers transform their writings into marketable, polished products for mainstream readers.
While not a professional humor writer, she could be. Arlene lives in the Deep South with her probation officer/journalist husband and two almost-adult sons, and looks forward to the day when her human offspring venture into the world as independently as she envisions her writings springing onto bookshelves.
KAREN SCHADER specializes in fiction and nonfiction for children and young adults, including chapter books, picture books, and educational resources. She has worked as a substantive editor, copyeditor, and proofreader for authors, trade publishers, and educational publishers. With an academic background in child development, she brings an understanding of children to her work, and several of her titles have been recognized with iParenting Media Awards and National Health Information Awards. A client once described Karen's editing as going beyond "simple grammar and sentence structure to style, age-appropriateness, and clarity." She respects readability, grammar, punctuation, accuracy, deadlines—and the importance of preserving the author's voice.
A. J. SOBCZAK is an editor, proofreader, and writer (business writing, business methods, business history, communication, literary analysis) with more than 25 years of experience in the publishing industry. He works directly with authors of academic articles and books as well as working for publishers. As an in-house editor for Salem Press (6 years) and freelance editor for Sage Publications (since 1993), along with work for University of California Press, ABC-CLIO, Rowman & Littlefield, and other clients, he has edited dozens of books and journals in various topics in the social and hard sciences, including economics, research methods, mathematics, political science, psychology, business and management, supply chain theory, and history. He holds an MA in economics from UCLA, has done graduate-level coursework in mathematics, and taught economics at California State University, Northridge, for 4 years.
He is an expert in
APA and Chicago styles
and is on several
publishers' lists of
"go-to" editors for
manuscripts with heavy math content. His writing on
business and economics
has appeared in several
reference volumes, and
he is the editor of and
a contributor to Great Events from
History II: Business and
Commerce, containing
approximately 500
articles on critical
events in 20th-century
business history.
CAROLINE T. has been editing popular fiction for 20 years and has 200+ novels under her belt. Her ability to see the big picture, combined with an in-depth knowledge of today’s publishing market, makes her an invaluable partner in the editing and publishing process.
A former in-house editor at Pocket Books—a division of Simon & Schuster, the premiere New York City publisher of commercial and trade fiction—an outside editor for Harper Collins/Avon, and a reader for The Literary Guild and The Rhapsody Book Club, Caroline’s particular expertise is historical and contemporary romance, romantic comedy, and romantic suspense. Carla Neggers, Karen Robards and Andrea Kane—three New York Times, Publishers Weekly, and USA Today bestselling authors—had books edited by Caroline. She also specializes in suspense thrillers, crime fiction, amateur sleuths, sagas, inspirational romance, westerns, urban fantasy and African-American popular fiction. She holds workshops on the writer’s conference circuit and speaks at numerous venues to help advance the cause of popular fiction for women.
Known for her accessibility, Caroline is available to answer any questions a client may have; from a simple inquiry regarding point of view switching, to a larger issue regarding career path. She is a hands-on editor, likes to put her blue pen to work, and enjoys brainstorming with writers. She is a mentor, a guide and a source of vast knowledge on the subject of popular fiction. Caroline offers content and developmental editing with commentary; minor line-editing if necessary, submission help, and career consulting.
“Caroline and I worked together as an author/editor team for a dozen years. She is, by far, the finest editorial partner I've ever had the good fortune to work with-- a partner in the truest sense. Her commitment extends beyond the novels to the authors themselves. Her instincts about how to make the book the best it can be are dead-on, and her willingness and abilities to achieve that end (without making the author feel that the book is no longer his/her own) are amazing. She has experience in a broad range of genres, and she puts that experience to work whole-heartedly. There is no one I would more strongly recommend to you if you want to make your book the best it can be, and if you want the best chances of becoming published or further published!” -- NY Times bestselling author, Andrea Kane
*Note: The editors in this network will turn down your manuscript if they do not see a way to improve the material. In this case, however, they might offer mentoring as you learn the craft. They will also decline to edit your manuscript if they determine that your work is in such good shape that paying a freelance editor would be a waste of your money. Although they believe that every manuscript should be read and critiqued by someone other than the author, it may not be necessary to pay a professional to find the few flaws and kinks in an excellent manuscript.
REQUEST FOR ESTIMATE/CONSULTATION
Cut and paste the text that follows into your e-mail editor (e.g., Outlook, Word) and answer each question.
A sample is required to receive an estimate for editing services
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7. Describe the level of writing or editing required: (e.g., copyediting, proofreading, content editing, fact-checking, ghostwriting, formatting)
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Once your e-mail is received, the network coordinator will forward it (plus any attached files) to the consultants you selected. If no selection is made, your submission will be forwarded to several consultants who might be a good match. Final choice of consultant is yours.
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All of the consultants listed on this site are freelance. They are located throughout the U.S. The coordinator cannot answer cost/timeframe questions for each consultant. You must go through the submission process to receive direct responses from the consultants listed on this site.
Network Coordinator
ALICE DAY has been an editor since 1988. After earning a graduate degree in creative writing at Brown University, she has worked at the book publishers Henry Holt and Company and Carroll & Graf Publishers. Writer Don Smith, whose awards include 19 regional Emmys, said of Alice Day, "She's the kind of editor every writer should be so lucky to have." Alice Day is an award-winning writer with four collections of poetry and a novel that have been published by nationally-recognized publishing houses. Kathleen Wakefield, whose novella won the 2008 Cleveland State University novella contest, said "that [Alice] has been an editor at a major New York publishing house gives her insight into that complicated world; that she is a poet, I believe, gives her the sensitivity to find the beauty of a writer's individual work." Alice Day has the skill and experience to focus on a writer's vision and help the writer realize it. She's a hands-on editor who's not afraid to cut words and offer insights. And she has a poet's sensitivity to language.
Fiction editing specialist
Fiction editor for numerous award-winning authors--Pulitzer Prize, National Book Critics Circle Award, and the PEN/Faulkner Award--and first-time novelists. She does detailed manuscript evaluations, as well as developmental/substantive editing, and is also a skilled copy editor.
Her fiction specialties include short stories, novellas, literary fiction,
historical fiction, commercial fiction, women's fiction, chick lit, thrillers,
mysteries, and detective/crime novels.
"After researching many, many book editors, I chose Alice because
I was impressed with her extensive list of accomplishments, both as an editor
with top publishing houses and as a poet and author in her own right. [That
she] actually managed to exceed my (already sky-high) expectations was quite
a feat! She took a manuscript that had completely gone off the rails in terms
of pacing and focus, and put it squarely back on track – somehow she was
able to see through all the extraneous, meandering subplots and envision the
work as it was meant to be. As my editor, Alice not only extracted (read: rescued)
the core story from its runaway cast of supporting characters and sub motifs,
but went on to cultivate the roots of that core story until it transformed into
a road map of the simply but poignantly plotted, character-driven literary novel
I had sat down to write more than two years before. In addition to several such
fundamental plot fixes, Alice also provided a meticulous list, complete with
page numbers, of every chronological inconsistency, every mix-up of a character’s
name or background, and every oversight in which I had unintentionally and prematurely
revealed plot twists and other information to the reader. I was blown away by
how thoroughly she knew every detail of each and every character and minor event
of the novel inside out, in just two weeks – in this way too, she had
become more versed in my own novel than I was at that time. Throughout the editing
process, Alice was very generous and patient with me in answering my millions
of questions about her invaluable feedback and suggestions. I feel confident
that I’ll not only be able to rewrite the novel in accordance with the
new, cogent outline Alice helped me create, but also, to use this restructuring
to push the narrative, and the writing, to its fullest literary potential."
- - Carrie Wharton-Hanford, first-time novelist