Writing Fiction

Are These Reference Books In Your Personal Library?

Last updated on April 7th, 2019

theodora-points-of-view-pov-fiction-writingBy Theodora Bryant

Copyediting is as much about teaching the craft of writing to authors as it is about working the edits on a manuscript. Teaching often means recommending helpful books for any number of particular problems authors have with stories. I have at some point recommended all the titles listed below to different authors.

Some are straightforward reference books, such as Rodale’s Synonym Finder, but indispensable: I quit counting when I reached 125 and there were still more alternative choices for “red.” It’s better by far than Merriam-Webster’s Thesaurus.

Other titles are enjoyable learning romps through the dull stuff of punctuation, such as The Deluxe Transitive Vampire. Or, why you should never ever never drown your book in ly adverbs, as is explained in Nabokov’s Favorite Word is Mauve.

Story, by Robert McKee, is a take on how to write books as if you were making a movie—which is exactly what I try to convince all my authors: A novel is a mental movie; don’t do anything that causes the readers to see the words that break the film and sends it spinning around the spool. Yes, I know, nobody uses film anymore.

I’m one of those editors who doesn’t like to see words or phrases that are “out of time” in novels. If I’m concerned, for instance, that something a character is saying in a novel set in 1918, and I’m pretty sure the phrase or word didn’t come into the language until later, I’ll refer to Movers and Shakers—A Chronology of Words to confirm my suspicions. It’s a great trip down memory lane, too.

I encourage you to check these out, and if one, two, or more resonate with you, please bring them into your life to have them handy when the need arises.

Craft of Writing

  • Emotional Craft of Writing (The), by Donald Maass. Writer’s Digest Books, 2016.
  • How to Write a Damn Good Novel, by James N. Frey. St. Martin’s Press, 1987.
  • Story, by Robert McKee. HarperCollins, 1997.
  • Story Engineering, by Larry Brooks. Writer’s Digest Books, 2011.
  • Story Physics, by Larry Brooks. Writer’s Digest Books, 2013
  • Wright. Publish. Repeat. By Platt, Truant, and Wright. Realm and Sands, 2013. (Specifically for self-publishers interested in guerilla marketing.)

Grammar and Punctuation

  • Deluxe Transitive Vampire (The), by Karen Elizabeth Gordon. Pantheon Books, 1993.
  • Eats, Shoots, & Leaves, by Lynne Truss. Gotham Books, 2004.
  • The New Well-tempered Sentence, Karen Elizabeth Gordon, Houghton Mifflin, 1993.

Miscellaneous Titles About Words and Phrases

  • Adventures of English (The), by Melvyn Bragg. First publisher: Hodder & Stroughton (UK), 2003.
  • Movers and Shakers—A Chronology of Words . . . ., by John Ayto. Oxford University Press, 2006.
  • Nabokov’s Favorite Word Is Mauve, by Ben Blatt. Simon & Schuster, 2017.

Thesaurus / Word Reference Books

  • Dictionary of Confusable Words (The), edited by Adrian Room. Fitzroy Dearborn Publishers, 2000.
  • Highly Selective Dictionary for the Extraordinarily Literate (The), by Eugene Ehrlich. HarperCollins, 1998.
  • Highly Selective Thesaurus (The), by Eugene Ehrlich. HarperCollins, 1994.
  • Homophones and Homographs, by James B. Hobbs. McFarland, 1986.
  • Synonym Finder (The). JJ Rodale Press, 1986.

Unusual Dictionaries

  • The Dictionary of Clichés, by James Roger. Random House, 1985.
  • The Dictionary of Euphemisms, by R.W. Holder. Oxford University Press (NY), 1995.

Contact Theodora.

Theodora Bryant

Author Theodora Bryant

THEODORA BRYANT edits romance titles. As editorial director of her own publishing house, Theodora published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She's reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author's "voice," making sure the facts and dialogue match the time period in which the book is set, and "losing" excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend. More about Theodora Bryant

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